Kolektyw Pełnia (PL)
A collective in search of a performance form oscillating between concert, installation, video and spatial performative action.
A collective whose artists ask questions from a dynamic perspective.
We are interested in the jitteriness of the world, whose meandering elements we try to discipline into a new perceptual formula. What most frustrates us is the undefinability of this formula.
The wide range of disciplines undertaken in the private lives of female creators, translates into interdisciplinarity in soundart activities.
The creators of the collective: Aleksandra Chciuk, Joanna Dreczka, Natalia Kędzierska, Alicja Pangowska from Academy of Fine Arts in Łódź.
A collective whose artists ask questions from a dynamic perspective.
We are interested in the jitteriness of the world, whose meandering elements we try to discipline into a new perceptual formula. What most frustrates us is the undefinability of this formula.
The wide range of disciplines undertaken in the private lives of female creators, translates into interdisciplinarity in soundart activities.
The creators of the collective: Aleksandra Chciuk, Joanna Dreczka, Natalia Kędzierska, Alicja Pangowska from Academy of Fine Arts in Łódź.
Przyjemność rzeczy / Pleasure of Items
ARTWORK DESCRIPTION
The primary concern for the creators of the collective Pełnia in creating the concept for the performance Pleasure of Things was to present the scales of sound spaces that make up the various stages of the life of everyday objects. Paradoxically, the time of an object used in personal spaces is a subtle stage, often relatively quiet and non-invasive. At the same time, such an object then becomes an element that co-creates a new, separate sound environment. Man, cleverly, to his own convenience, has learned to produce objects that significantly enhance his existence, in a way that is less and less noticeable to himself, more and more intimate. The auditory sphere is an exclusive sphere of life that contributes significantly to the comfort and quality level of life.
However, the personal stage precedes production and is followed by disposal. As a result, factories and plants continue to bustle, the rumble of which has not shrunk for decades.
Referring to the idea of personal sound space, the authors talk about the auditory life of objects by recognizing three dimensions of space: social, intimate and mediated.
ARTWORK DESCRIPTION
The primary concern for the creators of the collective Pełnia in creating the concept for the performance Pleasure of Things was to present the scales of sound spaces that make up the various stages of the life of everyday objects. Paradoxically, the time of an object used in personal spaces is a subtle stage, often relatively quiet and non-invasive. At the same time, such an object then becomes an element that co-creates a new, separate sound environment. Man, cleverly, to his own convenience, has learned to produce objects that significantly enhance his existence, in a way that is less and less noticeable to himself, more and more intimate. The auditory sphere is an exclusive sphere of life that contributes significantly to the comfort and quality level of life.
However, the personal stage precedes production and is followed by disposal. As a result, factories and plants continue to bustle, the rumble of which has not shrunk for decades.
Referring to the idea of personal sound space, the authors talk about the auditory life of objects by recognizing three dimensions of space: social, intimate and mediated.
Przyjemność rzeczy / Pleasure of Items
